As the old saying goes: "The Devil is in the details."
There couldn't be a more fitting assessment with regard to the CLS-and to a lesser extent, the 6 series GC.
Purely in terms of architecture, the CLS is really quite splendid. Tremendous proportions, the rake of its' A and C pillars, the length of its' hood and rear deck as well as the length of its' overhangs front and rear. The proportion of side glass to metal below the window sills. Patently impressive. Envisage a shadowed silhouette in which the flank sculpturing is veiled.
Alas, the CLS' details-the side sculpturing, the rather "clefted" frontend treatment make it a polarizing car. It appears that the era of highly accentuated rear fender design attempting to mimic M-Bs' of the 1950s' and early 1960s' will be drawing to an end in the forseeable future. First renderings of the facelifted W212 E-Class due for a late 2012 introduction show this element alleviated (the last issue of Germanys' Autozeitung has an example)-very much to the benefit of the cars appearance. I wonder if this sort of "facelift" could possibly work on the CLS. Perhaps implementing something similar to that seen on the most recent CL cabriolet renderings in Autobild and Auto Motor und Sport... Then again, perhaps the CLS needs that "drama".
It appears odd to me to be so extremely enamoured with the 6 series 2 door coupe-and yet, be somewhat allienated by the GC. Perhaps my opinion will change upon seeing the GC "in the metal". Perhaps those photoshopped, matte-brown photographs of the GC leave me ambivalent. The "boat wake" theme appears so heavily accentuated in those photographs, the hood appears so exageratedly long. Mind you, I find cab-backward themes attractive in general-but on the GC, it appears a "bit much" become a bit unpalatable.
As said-seeing it "in the metal" may very well leave me breathless and quite the fan.
With regard to the A7: I wished that Audi would have left the architecture of the car unchanged from that of the 2009 A7 Sportback Concept. In my eyes, it was perfection. On the production model, this is not quite the case with a rather unfortunate humped back (although, IRL, this is far less disturbing than on film). But otherwise, it is very, very nice. And in terms of sculpturing, it is my favorite. Clean, cohesive, precise and timeless. And the cars' stance is incredible.