I think I'd take the Mercedes with the portions of the 7:s interior and complete infotainment. Could that be done?
How long have you been on this forum?
This is simply awesome
Betting 100 bucks that it will at least have that giant touchscreen first featured on the 918 SpyderI am now eager to see the next Panamera interior. I think it is the only one I could like as much as the BMW´s.
Not really any problem with the exterior.
The interior is where I personally have a few 'issues'
Of course I am being very critical (I love the S class) ......but only because the S class is the vehicle that sets the standard for all others in the industry.
I really feel the problem stems from the desire to adopt cutting-edge design ideas but at the same time try to keep it appealing to conservative (and traditional) presumptions of what a luxury car interior should be. So there are some strange compromises (it's the only way I can describe it) such as the completely odd diamond-patterned perforated leather pieces applied to door panels and dashboard. This diamond pattern bears no relation to the Aqua-dynamic theme at all (such as the organic patterns stitched on the seats and the dynamic shapes of the wood parts) .......the perforated diamond pattern actually has a vaguely Retro 1950s feel about it.
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The Maybach version emphasises this strange hybrid of styling themes ....the quilted and buttoned seats with throw cushions certainly looks very comfortable ......but barely relates to the beautiful high-tech details like the metallic switches. The doorhandles, speakers, and seat controls on the doors are certainly highlights in the cabin. The curvaceous side panels that flow into the doors are not well resolved in my opinion ......and the refrigerator compartment is in no way pretty. Once again the quilted leather pieces applied to the centre console lack substance with their only real purpose being to continue the diamond-pattern throughout the cabin.
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When I look at the magnificent interior of Coupé concept, it becomes very clear to me that some of these styling decisions were compromises.
The designers who created this brilliant (concept) interior were obviously forced to make compromises for production interiors ....falling back on the usual clichés of luxury car interior design.
Note, for instance, there is no wood in this interior. This is what 21st century high-tech luxury is supposed to look like!
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Having said that, the production S class Coupé is still a superb car inside and out.
If I was to be picky, I would say I am still not a fan of the Bentley-style air vents or the awkward (and unnecessary) wood sections on the rear side panels.
But this is a beautiful interior no doubt about it.
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The Bentley GT still has more beautiful seats .....but the S class Coupé's dashboard is fantastic.
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No need to get upset Mohammed ....you take my critiques too personallyI get your point Rob. I really do. But why criticise MB when you know the reason for the 'compromises'? You said it yourself, they have to bear in mind the conservative and traditional presumptions of luxury. This is particularly important given the demographic of the buyer in this class. So yes while it would be great to see interiors closer to the concepts, Mercedes has done a damn fine job of pushing the design envelope with the 'aqua dynamic' forms and blending these with more traditional interpretations of luxury. For example, the shape of the wooden appliqués on the coupes front doors are just gorgeous and not seen anywhere else in the industry.
What cutting edge design idiom is the 7-series pushing? I'm no expert on these things, but as far as I can see, none really. It's a blinged up version of the dashboard structure adopted on 90% of their vehicle line up. It has almost none of the cutting edge thinking of BMW's luxury concepts.
It's not my taste, but there is no denying the brilliance of the S class interior. Fit, finish and quality are on the highest possible level. BMW can only match it and not surpass it in this price range.
No need to get upset Mohammed ....you take my critiques too personally
I am tough on Mercedes designers and engineers because I expect the best from them. Of course I appreciate the quality of the S class interior.....I am only expressing opinions based on my personal tastes (like everyone else) ....and IMO the Maybach interior may be very comfortable but it lacks the Mulsanne's class ....but I doubt that will even be noticed by the vast majority of buyers. However, I would choose the Maybach over the Ghost. The S Class Coupé is a truly special car ....I have made my feelings about it very clear.
Oh, I forgot it was Ramadan. I heard some people talking about it recently.Not upset Rob. Sorry if it came across the way. Must be the hunger getting to me!![]()
I'm impartial, I voted for the vehicle I think would make the better financial choice should I ever be in the market for one. If I was going to buy something in this class it wouldn't be the 7 or the S, it would be a Quattroporte or XJ, I don' want something everyone else has and I want it to be sporty looking.
Because they are all like sheep and follow the herd rather than being individual and buying something different.
A: Resale on the S Class is better than anything else, it's the best selling car in it's class by a country mile, hence my choice in this pole.
B: If I am actually going to buy a vehicle in this class I don't want to drive something which is common or used as a taxi. Quattroporte or XJ would do it for me, plus they are also the best looking vehicles in the class.
Because Jaguar is fully incapable to make such a car. Only VAG, BMW and MB can do that.
Interesting. In my humble opinion, the 222 style evolved thusly: "Aqua-dynamic theme" pioneered by Lee, Rhoades, Wagener et al. around 2005-2007. Then Habib and Robert Lešnik join the team. And the Rising Car sculpture arrives at NAIAS 2010, followed by the F800 Style in Geneva 2010, before the 222 premiered in Hamburg in May of 2013.
2007:
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http://www.germancarforum.com/threads/mercedes-advanced-design-studio.24788/#post-582216
2010:
http://www.germancarforum.com/threa...pture-for-naias-2010.31963/page-4#post-748444
2013:
http://www.germancarforum.com/threads/2014-mercedes-benz-s-class-w222.48988/page-226#post-748725
Yes that makes sense .....obviously my thoughts are based on observation and feelings.
Thanks for telling us the name to the F800's styling theme (Aqua-dynamic). It certainly has an aquatic look.
Do you not think the styling ideas changed quite dramatically when we compare the F700 and the F800?
The rising car sculpture fits with the Aqua-dynamic theme.
The Aqua-dynamic theme can be clearly seen in the interior of the W222 ...but on the exterior we only really see the subtle influence of this theme on the standard front bumber styling.
Any thoughts?
....and what about the Ocean Drive Concept .....is there any future for this or was this the last breath of the Daimler/Chrysler era?
Thanks for reminding me of that thread ...ha ha.
The ODC seems out of character with Mercedes today ....... Mercedes seems like a very different brand eight years later.
I really think the merger with Chrysler caused Mercedes to lose focus ......I'm glad they split from Chrysler. Chrysler has an entirely different culture to Mercedes.
Am I correct in saying 'Aqua Dynamic' had a very short life span? After the edginess which culminated in the w212 and GLK, the CLS bore some elements of the Aqua Dynamic theme. This however was short lived and there was a quick shift to 'Sensual Purity' which we now see reaching its purest form with vehicles like the GLE Coupe. Perhaps Wagoner was not completely sold on Aqua Dynamic, which was born under Pfeiffer's watch, and thus with the help of Lesnik and Karim evolved the Sensual Purity aesthetic?
Without a doubt Chrysler drained Mercedes immensely in terms of design,engineering and cash!
It's think it's quite clear that BMW desperately need to throw huge amounts of money at Bangle and beg him to come back, BMW design since he left has stagnated and produced some truly ugly vehicles, 2GT and 2AT, old X1, F56 series MINI's, if anyone disagrees have at it.
@KiwiRob I completely agree. Although Bangle-era cars weren't universally accepted as 'pretty', many a carmakers were trying to bring some of his design flourishes into their own products. IMO, With the exception of the 5er, there hasn't been one good looking BMW since his departure.
Mercedes-Benz, on the other hand, has had quite the design renaissance under the leadership of Gorden Wagener. The C-class has an interior that exceeds cars a class above (E, 5er, A6), the new S (sedan and coupe) are absolutely stunning and the AMG GT is lauded by reviewers everywhere. Now, all MB needs is to inject their 'sensual purity' design language into their SUV's and the SLK/SL.
https://www.mercedes-benz.com/en/me...rden-wagener/sensual-purity-by-mercedes-benz/
This board went to hell after the new A-class were exposed. Sooo many new Benz supporters arrived to this place![]()
Round vents? The 1997 Mercedes-Maybach Concept featured them when it premiered in Tokyo. Bruno Sacco may have liked them?
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1997 Mercedes-Maybach Concept featuring round six slat air nozzles on the center dash.
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164 ML and X164 GL with round six slat air nozzles.
Aesthetics No 2 premiered in Detroit in January 2011.
Maybe you're right.
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The 1990s was not a particularly great decade for luxury car interiors.
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God this is hellishly ugly!
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If your criticism of the 7er is that it is too similar to the 3er, design-wise, how in holy hell can you not make that same criticism of the S Class as it compares to the C Class?
The way I've seen it was, automakers and the industry as a whole began placing heavy emphasis on design around late 2012/13. BMW was still of the mindset going into development of the G11 that all core BMW models should have conservative designs. I'm not sure but, didn't the G11 begin development during the time the F30 3series came out? If so, taking into consideration that in their design studios, the F30 was the next phase of their evolutionary design with the grill to the headlights connection and all that. Fast forward to the release of the X5 and somehow that headlight to grill connection became outdated faster than BMW's design process had evolved. This 3 series is very successful and an overall nice evolution of BMW design, but that particular design language of headlight connected to grill is very homogenous and tends to take away from the freshness of the face of the car as it leaves the feeling that that face has already been seen before even though they are all distinct in their own way and not exactly cut and paste. It doesn't help that BMW's designs has experience dilution from copy-cat brands.
People probably had high expectations of the G11 showcasing BMW's VFL design language, but I see the G11 as a refinement of the design phase that began at F30, continued in the X5, with a bit of a salute to the Concept CS.
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As far as the future of BMW interior design goes, people are ready for a revolution at BMW and I think BMW is already prepared for that, but the question is, what year is BMW design studio operating in for production vehicles? MB's design studio is in a revolutionary phase that's why they appear so new in relation to BMW design.
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But BMW design studio is just as new if not more so as far as cutting edge design goes.
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BMW has arguably the most identifiable design identity of the German trio (kidney grills/hofmeister kink ) so they could go revolutionary and still be accepted as BMW.
Mercedes has taken the top down approach meaning the W222 initiated the design language (exterior) and it was transferred to the lower model that is the new C. Interior of the two are totally different. With 7 I think he is referring to the bottom up approach of BMW where the 3 design elements are transferred to the top model that is, in the new 7.
Agree with you. Yes. This is the problem. People are saying the 7 is a big 3 Series, which is bad, and the C Class looks so good it almost looks like a small S Class, which is good.
In the end, to me, it's all the same. It's always been that way. Look at an E30 side to side with an E34 and E32, from the front, they are very much alike, from the sides too. The real difference is in the rear. And that's about it. Same with the W201 190E and the bigger Benzes of the time.
Automakers want their cars to look like each other, MB doesn't want their S Class to be confused with no stinkin BMW, and likewise, BMW wants their cars to look like BMWs, not Audis or Mercs.
I hear it (and read it online) all the time, how people complaint about cars looking the same nowadays, but it was not different 40 years ago.
Also, am I the only one who thinks the interior of the BMW in tan looks a bit, uhm Swedish?
I'm liking it more now![]()
Would it make you feel better if people think you're driving an S while it's a C?
You are implying there's a difference between car X looking like car Y or the other way around, but really there is no difference at all. Car X looking like Y or the other way around is like saying the glass is half full or half empty. It can be both, and what came first really doesn't matter at all, people won't know anyways.
Sure the 3er and 7er are similar, but what would you expect if your car HAS to have certain design elements? The Hofmeister kink, kidney grille, L shaped rear lights and quad headlights all have to be present to be a 'real' BMW, so you're bound to run into a lot of similarities when designing a new model. I like it, like the shape of the 911, all mentioned trademarks are unique and special. They make a BMW a BMW, and it's a long rich heritage that no other brand has. Mercedes for instance always seems to keep flipping things around, design wise.
So with that said, I think one has to look at the finer, more intimate details when you look at a BMW. Details the average person would never even see. And when you do that, you see an evolved design language between the 3er and 7er.
Totally agree with you the luxury cars from the 1990's interiors weren't the best for design and also materials used, they looked more built to a cost than the 1980'd models which seemed over engineered.
The whole S class interior design is the way it is because of the BMW E65 7er.
Now you again.
Yes. The whole layout of the the basic interior is a straight E65 copy.
Yep. The general layout first seen in the E65 7er is now commonplace in lots of cars. So common I had to remind you.
But it's ok. Happy to do so.
THAT is the funny part, sorry.
Some elements might be historic MB, but for the rest it is building on the foundations laid by others. BMW this time.
Actually, it came from modern infotainment systems, how to handle all the info and where to put the screen for better view.
But please tell me how the W123 navigation system works, or in what way it operates the high tech settings.
Oh, wait....
I think most of the cars nowadays with a screen on top of the dash you could say is a copy of the E65 as that was the pioneer for car infotainment. The W221 S-class interior did get some comments of been a slight copy of the E65 but it was an improved copy of the BMW with notably better looking dash layout and more elegant and better placed controls and infotainment screen. The E65 had some ergonomic problems with the placement of some of its buttons and controls.
I seriously dont know which one is which, seriously what did the guy who designed the c do ? Just shrink the s class and voila ? Did he even bother to do a sketch ?
I'm pretty sure MB's long hood on
core models and shark nose on the S coupe concept were all BMW 'inspired' design elements.
I think wood can offer a very warm and pleasing aesthetic atmosphere ......but it is quite strange we should have wood in car interiors.
It goes without saying that wood gives a traditional character to the cabin ........but high luxury does not always require wood
Look at these two pictures, both are finest quality ....the pre-War Mercedes is more Modern and timeless than the Rolls-Royce from the 1960s
1939 Mercedes-Benz 540K Spezial Roadster
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1960 Rolls-Royce Phantom V
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A little bit of wood used carefully can have a sublimely refined quality.
1938 Talbot Lago
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But wood can also look terrible
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Wood doesn't have to be traditional though. Love these examples:
BMW Gran Lusso
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Thanks for such a great post and all the things you mention about wood trim in cars interiors I totally agree with. Wood can look great but can also spoil a cars interior. I personally am not a big fan of the older Jaguar and Rolls Royce interiors as I found they over emphasised the use of wood in their interiors which although can give the feeling of luxury it looks a bit too old fashioned and over bearing. I prefer a combination of wood and other materials such as aluminium, chrome and matt chrome as well as certain plastics. If the wood is used sparingly with these other materials it gives the impression of been modern and luxury at same time. Then another bad case of wood used in cars interiors is the horrible shiny plastic wood in many Japanese cars which is so tasteless and not
classy at all and actually makes their interiors look cheap.
Ι believe that I am the only fan of this interior in the whole GCF.
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For the life of me, I cannot understand why both Lešnik and Mark Fetherston are continually given credit nearly every new MB's exterior design.
Il-hun Yoon was responsible for the W222 exterior, yet has been shoved into the background for mysterious reasons and late comer Lešnik getting the sole credit, when Yoon was still working on 1:1 W222 clay models in 2009 and did much of the sketches priorly. What did Lešnik do that was so spectacular and differentiating from Yoon's suggestions, that gave him such credit so last minute?
Oh really? We'll see about that then, as you're very unaware how we're in the middle of development on a very large project at the moment and the current XJ (X351) is not eternal nor fully representative of our best work under less limitations. It is very helpful seeing what the W222 and G11 have to offer, but we've already made our own plans as well with substantial investment. If we are fully incapable, then I might as well as join the unemployment queue.
MB and now BMW designer Hussein Al-Attar explained it thusly:
The design process at Mercedes is kind of different than the one at BMW in the sense that not (like in the case of BMW) only one designer is responsible for executing their original idea, but some designers start, others pick up and maybe someone else finishes.
The original design proposal that "started it all" if you will, is courtesy of Mr. Il-Hun Yoon, who has been referred to as the Asian gentleman in the video. Robert Lesnik either finished the design, meaning he was responsible for the best possible transformation from the 1/4 scale model to the full scale model, or he was in charge of finishing it, supervising Mr. Yoon.
The interior designer you can see in the video is Peter Balko.
http://www.germancarforum.com/threads/2014-mercedes-benz-s-class-w222.48988/page-23#post-639373
And in this vid advanced global lead Steffen Köhl talks about S design.
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