That's exactly what came to my mind as well.That clock and its buttons give me Dieter Rams/Braun vibes![]()
I would say, the design philosophy is good but not Ferrari. It's not sexy, provocative and lacks drama.I like the elements individually, but not how they have been brought together.
As I said its hard to gauge when its not in the car, I think when we see the final car and the interior in it, it will be more cohesive.I would say, the design philosophy is good but not Ferrari. It's not sexy, provocative and lacks drama.
It's the equivalent of a woman dressed in chinos, blazer and tie for a romantic dinner. Smart and attractive but wrong for the occasion.
I wonder whether any of this design language will make it to other ferraris. It's quite clear that ferrari gave Ive total creative freedom. If you removed the ferrwei logo you wouldn't know it's one.
That's my issue. The cabin is a bento box of a screens and widgets. As cool as the analogue clock is, is far away from the driver at the opposite corner of the centre screen.But there are screens everywhere. Dash , speedo , clock.
It could even be a newer version of this car:
It‘s nice, but too much Jony Ive in it.Ferrari Luce: Key interior features
Steering wheel
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The three-spoke and thin-grip steering wheel is a reference to the Nardi design that was fitted to some of the most iconic Ferraris of the 20th century. Indeed, it's said to be inspired by Ive’s personal 250 Europa from the 1950s.
It features lots of physical buttons, a manettino for each of the electric modes (which vary power output from 50-100%) and the powertrain settings (which adjust the car’s character and how its power is used), as well as paddles that manage torque.
At launch it will be covered in a smooth leather, rather than the Alcantara, which is traditionally used liberally throughout modern Ferrari interiors.
Touchscreen
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The radical cabin is centered around an iPad-like 10in touchscreen. It's moveable via a chunky grab bar at the front, which is also designed to be used as a palm rest for when using the screen. At the bottom, physical switches control climate and media.
Ive said each feels different when used so the driver knows which one they are controlling without needing to take eyes off the road. Ferrari added that this creates “a compelling connection between driver and car”.
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At the top sits a clock that features physical dials but a digital face, meaning it can also be switched to either a compass or a lap timer. Ferrari claims this was the piece of the cabin that took the most time to develop. Each hand is independently operated by its own three gears.
Instrument binnacle
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The incredibly technical digital cluster is made up of eight different layers, of which the front two are separate (and bespoke) Samsung OLED screens. They are used to create a three-dial view: the middle one shows speed (and features a physical needle) and the other two are customisable based on the powertrain settings selected (for example, the left one can show regenerative braking and the right one can show the g-forces being pulled).
The black plastic-looking surface surrounding the dials is actually also an OLED screen that displays warning lights, turn-by-turn navigation and the shifting aid that is normally found at the top of modern Ferrari steering wheels. Why not just put it all on one screen? Ive said having two added more depth and was more interesting.
The binnacle is encased in the same anodised aluminium and is connected to the steering wheel column so both move as one, in an effort to improve visibility.
Center console, key and launch control
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Designed to appear as if floating, the centre console is made up of a mix of leather and glass - the latter in both matt (for the most-used areas, to avoid fingerprints) and glossy finishes.
With an eye on functionality, there are two separate cubbies (one each for the driver and passenger), two cupholders, physical buttons for the boot operation and central locking and switches for all four windows attached to the console.
For rear passengers, a rear touchscreen gives a view of telemetry, such as speed, track time and more.
The key, made of the same aluminium and glass that adorns the rest of the cabin, has its own holder at the front of the console. It needs to be pushed into place for the car to start. The inverted-L-shaped shifter is also made of glass.
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The launch control system is activated by pulling down on a grip that's located above the driver's head “like in a helicopter”. It's flanked by switches that control exterior lighting settings, such as the foglights.
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